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Robert Dana

Robert W. Dana was the author of these reviews. Introduction and photos
 

Tips On Tables – Robert W. Dana - September 17, 1954

Julie's Just A Gal From Nebraska

Julie Wilson, home from London triumphs, was the selection of the Plaza to open the Persian Room's season last night. How she looked what she did julie wilsonand what she is – a fine American girl from Nebraska – was impressed upon a packed, glittering first-night audience in an hour-long performance.
The wide-eyed brunette with the slicked-back hair and well-proportioned figure was her most devastating in a Balmain white satin sheath very decollette, glittering with silver, black and white crystal jewels and dramatized by a large black satin pouf that fell in a train.

What she did was a revelation, even for her fans. Her showmanship, delivery and general depertmant must have seemed to them, as to me, fuller, more wide open, less coy than in the past. A great part of her program is made up of new numbers, much of it specially written. But, lest folks might think she's gone up in the clouds above them, she disproves it with a Alan Foster number, “Don't Let Julie Fool You,” the essence of which is that she's still a Nebraska gal.

Punch Liner.

Mr. Roberts is responsible for her second number, “He Was Wonderful,” a clever vignette on a familiar theme – girl has a few drinks, meets a chap who wants to show her a view and so on. Punch ending to this one has to do with a sister angle.

Number 3 in Julie's program is a honey. She comes back from London and discovers the mambo. Its rhythm and its gestures are foreign and suspicious to her when her sweetheart is illustrating with another girl. It's a very strong song, beautifully handled.

The writing skill of Phil Moore, the prominent pianist is well known. It's particularly accented in two numbers of his that Miss Wilson does. “Pagliacci Had Nothin' on Me” is a torch song that demonstrates the facility with which she can change her mood, rhythm, style and vocal intonations. “Money, Honey” is a sophisticated and amusing discussion of high finance's relation to romance.

Girl From Nebraska.

Julie sang song after song, each becoming a little more directly concerned with the state of a man in his plazarelation with women. “Bad, Bad Woman.” “Everybody Needs a Dad-Dad Daddy,” “Twelve Good Men and True” and “Man Could Be a Wonderful Thing” all helped demonstrate that more Nebraska girls should emigrate to New York.

Ted Straeter and his band did a tremendous job of playing the show. They and julie sounded as if they'd been doing these numbers for many weeks together, that's how slick it all came out. Ted's band alternates with the popular Mark Monte and his Continentals for dancing.

THE REVIEWS
Andrews Sisters - Latin Quarter 1957
Desi Arnaz - w/Diosa Costello 1948
Count Basie - Lincoln 1943
Tony Bennett - Copacabana 1958
Milton Berle - Latin Quarter 1948
Joey Bishop - w/Andy Williams 1959
Ray Bolger - Wizard of Oz Scarecrow, Empire Room 1956
Cab Calloway - Greenwich Inn 1949
Diahann Carroll - Persian Room 1961
Betty Clooney - Waldorf Astoria 1954
Nat King Cole - Copacabana 1958
Perry Como - Versailles 1944
Copacabana - famous night club restaurant is reviewed 1953
Crosby Brothers - Latin Quarter 1961
Xavier Cugat - Waldorf Astoria 1951
Vic Damone - Riviera 1953
Billy Daniels - Copacabana 1952
Sammy Davis Jr. - Copacabana 1959
Phyllis Diller - w/Bobby Short 1958
Nancy Donovan - Copacabana 1952
Jimmy Durante - Copacabana 1951
Billy Eckstine - Copacabana 1951
Duke Ellington - Basin St. East 1961
Eddie Fisher - Empire Room 1959
Judy Garland -Town & Country 1958
Jackie Gleason - La Vie en Rose 1953
Benny Goodman - Empire Room 1956
Dolores Gray - Waldorf Astoria 1954
Buddy Hackett - Copacabana 1956
Connie Haines - Terrace Room 1951
Dick Haymes - Versailles 1956
Horace Heidt - 30th Anniversary 1954
Florence Henderson w/Bill Hayes 1958
Hildegarde - Pierre 1953
Celeste Holm - Plaza 1958
Eddy Howard - Roosevelt 1955
Burl Ives w/Wally Cox - Persian Room
Lisa Kirk - Persion Room 1958
Frankie Laine - Latin Quarter 1955
Julius La Rosa - Romanian 1958
Peggy Lee - Copacabana 1958
Jerry Lewis - Town & Country 1957
Joe E. Lewis - Copacabana 1945
Ted Lewis - Latin Quarter 1953
Liberace - Persian Room 1947
Guy Lombardo - Roosevelt 1957
Vincent Lopez - Grill Room 1954
Tony Martin - Riviera 1953
Martin and Lewis - Copacabana 1950
Ray McKinley - Glenn Miller Band 1957
Mills Brothers - Latin Quarter 1956
Vaughn Monroe - Astor 1955
Constance Moore - St. Regis 1958
Johnnie Ray - Copacabana 1953
Della Reese - Copacabana 1961
Sugar Ray Robinson - French Casino
Dorothy Shay - St. Regis 1961
Frank Sinatra - Wedgewood 1943
Danny Thomas - Copacabana 1949
Sophie Tucker - Latin Quarter 1950
Mae West - Latin Quarter 1956
Julie Wilson - Persian Room 1954
EDITORIALS
Dean Martin - thoughts on Mr. Sauve
Peter Lawford - retrospective
Rise & Fall of the big bands
INTERVIEWS
K Baggelaar- Copacabana author
Don Dellair - cabaret performer
Denny Farrell - big band disc jockey
Hal Turner - Performer/Conductor
B Zickafoose - played in WWII Europe
ASSORTED
Bernie Bierman bio
Sammy Kaye - Roosevelt 1957
Dinah Shore - press release and autograph from the 50's
A Letter about a WWII song
Harbers & Dale - Dance Team
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